Various Artists - Spire-Organ Works Past Present and Future - Electronica - CD

The thought of producing a compilation where the tracks were all either inspired by or more directly influenced by the organ had been frequently aired over the years. The conversations were always animated and expansive. The organ works of Arvo Pärt, those performed by Christopher Bowers-Broadbent, a pupil of Richard Rodney Bennett at the Royal Academy of Music in London, and others, have reached a wider non-classical audience. Eventually Benny Nilsen arranged to visit St. Mary's Church, Warwick and work with one of England's finest, Charles Matthews. Crawling around inside the instrument, positioning microphones most appropriately in the Church, or 'capturing' the psalms composed by Marcus Davidson, Nilsen explored the possibilities with all the familiar lust of the avant-garde. As the brief widened, so did the responses... some contributors referred to earlier versions of the organ and it's often highly political usage, others explored aged instruments themselves. Some studied the effects of the sounds produced on the physique and the psyche, others conceptualized the brief and either built their own or recorded natural or man-made phenomena which utilized the same basic process, wind through pipes. The organ represents the marriage between acoustic complexity and ritualized space. It is impossible not to be drawn upward, towards the Spire of the church or cathedral, or to the huge and daunting forest of pipes themselves. The organ dwarfs all comers, and unlike other instruments, it is this non-musical element which makes the organ stand apart.

The thought of producing a compilation where the tracks were all either inspired by or more directly influenced by the organ had been frequently aired over the years. The conversations were always animated and expansive. The organ works of Arvo Pﾄrt, those performed by Christopher Bowers-Broadbent, a pupil of Richard Rodney Bennett at the Royal Academy of Music in London, and others, have reached a wider non-classical audience. Eventually Benny Nilsen arranged to visit St. Mary's Church, Warwick and work with one of England's finest, Charles Matthews. Crawling around inside the instrument, positioning microphones most appropriately in the Church, or 'capturing' the psalms composed by Marcus Davidson, Nilsen explored the possibilities with all the familiar lust of the avant-garde. As the brief widened, so did the responses... some contributors referred to earlier versions of the organ and it's often highly political usage, others explored aged instruments themselves. Some studied the effects of the sounds produced on the physique and the psyche, others conceptualized the brief and either built their own or recorded natural or man-made phenomena which utilized the same basic process, wind through pipes. The organ represents the marriage between acoustic complexity and ritualized space. It is impossible not to be drawn upward, towards the Spire of the church or cathedral, or to the huge and daunting forest of pipes themselves. The organ dwarfs all comers, and unlike other instruments, it is this non-musical element which makes the organ stand apart.

Performer	Varios Artistas
Music genre	Electronica
Media format	CD
Has parental advisory label	N
Number of discs	2
Track listing	Breathe - BJ Nilsen (Disc 01), Droner - Scott Taylor, Epiludio Patetico - Jacob Kirkegaard, Remake - Oren Ambarchi & Tom Recchion, Askam Wind Cluster - Chris Watson, Royal Organ - Leif Elggren (Disc 02), If Only That Love Let's Letting Happen - Z'ev, Stops - Phillip Jeck, Details of a New Discovery - Sigtryggur Berg Sigmarsson, Untitled - Zephyr, Organ Psalm V - Marcus Davidson, Dwan - Scott Minor / Fennesz, Diabolus - Finnbogi Ptursson, Visible Invisble - Biosphere, Layered - Toshiya Tsunoda, Shut-Eye Train - Tom Recchion, Disorganised - Lary Seven & Jeff Peterson
Record label	Touch UK
Music media format	CD
Is edited	N
Is enhanced	N